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And Benicio del Toro really is every inch the wonderful actor his reputation claims (I saw him for the first time but had heard a lot of him before, so I was very curious).Jodha akbar hindi movie watch online with english subtitles I haven't seen "Mystic River" yet, but if Sean Penn was as good as he is in "21 Grams" then the Oscar finally really went to someone who truly deserved it. Like when Christina (Watts) screams at Paul (Penn) trying to get rid of all of her anger, frustration, grief and hate: I usually think these emotional outbursts don't seem real on screen, but in this movie it is just deeply touching. Sean Penn, Naomi Watts and Benicio del Toro are delivering the most convincing acting performance I've ever witnessed. That brilliant script is supported by excellent actors.
This truly is a masterpiece script-wise, and I've never seen anything like it. Usually in these episode movies everything comes together at once somewhere in the middle of the film, but in "21 Grams" the viewer puts the pieces together one after another- like a jigsaw puzzle, and every bit as satisfying when everything's completed. But then the pieces begin to come together just beautifully until in the end you can see the whole picture. Adding to that initial confusion is the fact that these scraps are not in temporal order so that in the beginning personally I wasn't sure I'd be able to follow- it was more like a music video that's just not making any sense at all. The first, say, 30 minutes are just scraps- moments in the lives of the three main characters that mean absolutely nothing to the viewer (yet). I guess the story itself is not that new, but the way how it's done is simply excellent.
I think above all, one has to bow to Guillermo Arriaga, the writer, as "21 Grams" features probably the best script I've ever seen. And thanks to the English subtitles, i was able to understand the bombastic urdu and Hindi throughout the film. JA is not flawless, due to the nature of the story inherited the lengthiness and various subplots and due to that the pace was so fast in some scenes that its hard to catch up. 'Azeem-o-Shaan Shahenshah' is the best song ever made in the praise of a King. Music is at it's minimal, and best, although the background score was recycled from the songs very often. Aishwarya's naturally wooden worked to her advantage acting as princess who was forced to get married to a Muslim King.Ĭharacter actor Ila Arun shines among the rest, Sonu Sood is a close second. One can hardly imagine it is the same mentally challenged guy from Koi mil gaya. In most areas JA is very well done, Hritik looked and acted fabulously, and most believable as a King. The lavish costumes and sets are hardly a typical Ashutosh material, but he's pulled it off with panache. His latest efforts in bringing magnificence and grandeur to the mughal king's life story is impressive, shows how versatile Ashutosh is in portraying different lifestyles and emotions to the camera. And the endorsement on the animal rights is impressive, given the fact so many animals were used the making of the movie, the producer left no leaf unturned to ensure the best for the film.ĭirector Ashutosh is well known for this Oscar nominated Lagaan and critically acclaimed Swades. The most awaited film of the year, Jodha Akbar brings many surprises and brickbats, despite disclaimers clearly stated at the beginning of the film. Then Ramprasad turns to Bhavani Shankar, but he, too, declares he wants to marry Kusum. He, in turn, is captivated by Kusum's beauty and presses his suit. Horrified, Kusum and Ramprasad turn to Babua for help. However, he succumbs to the charms of Kusum and instead of ousting the old man and his daughter, presents a proposal of marriage. When this comes to the knowledge of the estate manager, Gajanan Babu, he arrives furious and determined to oust the usurpers. When Ramprasad is assigned the responsibility of getting the house back in shape so that it can be re-occupied, chachaji and Kusum arrive there. Ramprasad succeeds in securing a victory for Bhavani Shankar in a long running court case, which gives back Bhavani Shankar's family the possession of an ancestral house. Ramprasad is a poor young man in the employ of Bhavani Shankar a superstitious, middle aged widower. The story revolves around an old man, chachaji in search of a home after his house is repossesed by the village money-lender, and his young daughter, Kusum.
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